Words to describe someone's voice

  1. adenoidal: if someone’s voice is adenoidal, some of the sound seems to come through their nose
  2. appealing: an appealing look, voice etc shows that you want help, approval, or agreement
  3. breathy: with loud breathing noises
  4. brittle: if you speak in a brittle voice, you sound as if you are about to cry
  5. croaky: if someone’s voice sounds croaky, they speak in a low rough voice that sounds as if they have a sore throat
  6. dead: if someone’s eyes are dead, or if their voice is dead, they feel or show no emotion
  7. disembodied: a disembodied voice comes from someone who you cannot see
  8. flat: spoken in a voice that does not go up and down. This word is often used for describing the speech of people from a particular region.
  9. fruity: a fruity voice or laugh is deep and strong in a pleasant way
  10. grating: a grating voice, laugh, or sound is unpleasant and annoying
  11. gravelly: a gravelly voice sounds low and rough
  12. gruff: a gruff voice has a rough low sound
  13. guttural: a guttural sound is deep and made at the back of your throat
  14. high-pitched: a high-pitched voice or sound is very high
  15. hoarse: someone who is hoarse or has a hoarse voice speaks in a low rough voice, usually because their throat is sore
  16. honeyed: honeyed words or a honeyed voice sound very nice but you cannot trust the person who is speaking
  17. husky: a husky voice is deep and sounds hoarse (=as if you have a sore throat), often in an attractive way
  18. low adjective: a low voice or sound is quiet and difficult to hear
  19. low adverb: in a deep voice, or with a deep sound
  20. matter-of-fact: used about someone’s behaviour or voice
  21. modulated: a modulated voice is controlled and pleasant to listen to
  22. monotonous: a monotonous sound or voice is boring and unpleasant because it does not change in loudness or become higher or lower
  23. nasal: someone with a nasal voice sounds as if they are speaking through their nose
  24. orotund: an orotund voice is loud and clear
  25. penetrating: a penetrating voice or sound is so high or loud that it makes you slightly uncomfortable
  26. plummy: a plummy voice or way of speaking is considered to be typical of an English person of a high social class. This word shows that you dislike people who speak like this.
  27. quietly: in a quiet voice
  28. raucous: a raucous voice or noise is loud and sounds rough
  29. ringing: a ringing sound or voice is very loud and clear
  30. rough: a rough voice is not soft and is unpleasant to listen to
  31. shrill: a shrill noise or voice is very loud, high, and unpleasant
  32. silvery: a silvery voice or sound is clear, light, and pleasant
  33. singsong: if you speak in a singsong voice, your voice rises and falls in a musical way
  34. small: a small voice or sound is quiet
  35. smoky: a smoky voice or smoky eyes are sexually attractive in a slightly mysterious way
  36. softly spoken: someone who is softly spoken has a quiet gentle voice
  37. sotto voce adjective, adverb: in a very quiet voice
  38. stentorian: a stentorian voice sounds very loud and severe
  39. strangled: a strangled sound is one that someone stops before they finish making it
  40. strangulated: strangled
  41. strident: a strident voice or sound is loud and unpleasant
  42. taut: used about something such as a voice or expression that shows someone is nervous or angry
  43. thick: if your voice is thick with an emotion, it sounds less clear than usual because of the emotion
  44. thickly: with a low voice that comes mostly from your throat
  45. thin: a thin voice or sound is high and unpleasant to listen to
  46. throaty: a throaty sound is low and seems to come from deep in your throat
  47. tight: a tight voice or expression shows that you are nervous or annoyed
  48. toneless: a toneless voice does not express any emotion
  49. tremulous: if something such as your voice or smile is tremulous, it is not steady, for example because you are afraid or excited
  50. wheezy: a wheezy noise sounds as if it is made by someone who has difficulty breathing
  51. wobbly: if your voice is wobbly, it goes up and down, usually because you are frightened, not confident, or are going to cry
inkyopinions:

endless list of favorite books → code name verity by elizabeth wein

All I have done is buy myself time, the time to write this. I haven’t really told anyone anything of use. I’ve only told a story.
But I have told the truth. Isn’t that ironic? They sent me because I am so good at telling lies. But I have told the truth.

inkyopinions:

endless list of favorite books → code name verity by elizabeth wein

All I have done is buy myself time, the time to write this. I haven’t really told anyone anything of use. I’ve only told a story.

But I have told the truth. Isn’t that ironic? They sent me because I am so good at telling lies. But I have told the truth.

thelandofmaps:

Alcohol Consumption by Youth [OC] [950x570]CLICK HERE FOR MORE MAPS!thelandofmaps.tumblr.com

thelandofmaps:

Alcohol Consumption by Youth [OC] [950x570]
CLICK HERE FOR MORE MAPS!
thelandofmaps.tumblr.com

ink-splotch:

  I was so tall.

You were older then.

Can we talk about Susan Pevensie for a moment?

Let’s talk about how, when the war ends, when the Pevensie children go back to London, Susan sees a young woman standing at the train platform, weeping, waving. 

First, Susan thinks civilian; and second, she thinks not much older than me.

Third, Susan thinks Mother.

They surge off the train, into their parents’ arms, laughing, embracing. Around them, the train platform is full of reunions (in her life, trains will give so much to Susan, and take so much away).

Over her mother’s shoulders, Susan sees Peter step solemnly back from his father so that Edmund can swoop in to get his hair paternally ruffled. She meets Peter’s eyes across the space, the way they saw each other over battlefields and tents full of the wounded, in negotiations and formal envoys.

She has always seen Peter when others only saw the king, only duty embodied in a young man’s slight, noble features. Susan can see him now, the way he looks at their father. Once, parents had meant protection, authority, solidity. But Peter’s shoulders are slender, are steady, will be weighed down every moment of the rest of his life. She can see it in him, the unreasonable hopes he had that as mighty a figure as a father might take some of that weight from him.

Their father has one hand on Lucy’s round cheek and he is weeping, for all he is pretending not to. He’s a good man, a portly one, thinner than when they left, but Susan can see the loss in the slope of Peter’s shoulders. This good man cannot lighten the king’s load; he only adds one more responsibility to the towering pile. Susan crosses the space to take Peter’s hand. He inhales and straightens his spine.

"You’ve all grown so much," their mother says.

Edmund is too young to register, but older now than he was at his first war; Lucy, who had been so young when they had left, grew into herself in a world filled with magic. All of them, they have responsibility pressed into their shoulders, old ropes they can’t even grasp for. No one is asking them to take that mantle on their shoulders, and that’s the hardest part. You get used to the weight. You build your world around it, build your identity into the crooks and crannies of the load you carry.

Can we talk about how much the gossipy young girls who cluster in the schoolyard must feel like children to her? And Susan has forgotten about being a child. She is the blessed, the chosen, the promised. Susan has decades on them, wars, loss and betrayal, victory and growing fields, the trust of her subjects. It was a visceral thing, to have all those lives under her protection and to know that her subjects slept safe, peacefully, on dark nights. Here, on this drab concrete, her people are untouchable, indefensible; her self is vanished, her kingdom gone; she can feel the loss like a wound. She has lost her power, but that trust, that responsibility remains. It circles her ankles, trips her in the school hallways.

She barely speaks to her schoolmates. The first few years back, guilt lives in her shaking hands.

For a long time Susan doesn’t want to be tied down to anything (she doesn’t want anything tied down to her, because she has, it seems, a pattern of disappearing). Peter pours himself into schoolwork and extracurriculars. He wakes and works, excels in his steady way, like he owes someone something. 

Lucy befriends wayward girls like they were shy dryads, sly naiads. Lucy walks the playground with all the bright, sprightly grace of a girl who could find worlds in the backs of wardrobes, and she finds smiles in schoolgirls, finds enough of herself to give away.

Lucy gives faith, Susan gives effort, time, work—there are many differences between them, these two sister queens, but this was one. But for a long time, after they return, Susan doesn’t give anything. She is a queen who has abandoned her kingdom and she feels that in the very bend of her spine. She will build no more kingdoms, she swears. Her shoulders ache under the weight of a responsibility she will never lose and now can never answer to.

It is Edmund, of all of them, who understands. He is the other who gets angry, for all he holds it in these days. He is Edmund the Just, after all, and weighs each word before he says it. She is Susan the Gentle, because she will give, will build; because where Peter is elevated by duty, she carries responsibility in soft hands, on worn shoulders, pours all she has into it.

It is Lucy who makes things more than they are. Girls are dryads and bullies are the cruel kind of wolf. Trees dance and every roar of a city bus is a hallo from a lion who is not tame. That is Lucy’s battle and she is as glorious as her sunrises. It would kill Susan to live her life strung between two worlds. They go on walks together, Lucy and her effortless blaze, Susan’s quiet sturdy stride. Lucy sings, but Susan watches; the trees do not dance. The trees are only trees.

A boy pulls at a girl’s pigtails across the schoolyard, yanks at the bow on the back of her dress. Susan sees a bully and she marches forward as a friend, a foe, a young woman furious and proud, a kingdomless queen. Susan draws herself up, the scant inches of height she will some day supplement with heels her siblings will scoff at. Dripping majesty, she moves across the ground (crowds part in her wake), and steps between the girl and the bully.

Let’s talk about how Susan was reading a book the day they went through the wardrobe; how she found it sitting, neatly bookmarked, beside her bed the day they came back. Her arms still felt clumsy then, her legs too short but also too gangly. She kept thinking about white stags, about if her mare got home safe, after, about the meetings she had lined up for the next week with the beavers, the heraldic university, the stonecutters’ union. She had paperwork on her desk she had meant to get to, petitions and letters from faun children who wanted to come on a field trip to Cair Paravel.

Susan had this waiting for her here, left out on her little bedside table: a penny and dime novel about a schoolgirl romance, half-read. Susan sat down on the twin mattress and took it in her hands. She remembered buying this, faintly (it had been years now; weeks before they boarded the train for the country, years from this weary shaking moment). She had wanted a detective mystery, but this had seemed more appropriate and she hadn’t wanted to look odd at the cash register.

At school, Susan sees a girl in mathematics who looks like a dryad, willowy limbs and distracted eyes. Where is your tree? Susan wants to ask. Is it safe? Is it blooming? She would fight to keep her safe, talk to her guards, go out on diplomatic missions, negotiate with the local woodcutters.

There’s a girl in the back row, shy, steady, who takes the best and swiftest notes in her very own shorthand. Susan finds herself wanting to recruit her for the Narnian scribe service. She shakes herself, but she approaches the girl after class anyway. Susan reads through wanted ads and helps the girl send out applications for internships.

Or another young woman; this one blazes bright, drawing people in her wake as she chases after efforts for raising money for a new library wing or cleaning up some local empty lot for the children. This girl laughs, shakes her mane of hair, and Susan wants to take her under her wing and teach her how to roar.

"Edmund is so solemn," says her mother, worried, to Susan. "Is he alright? And Lucy seems even less…" Her mother hesitates, chewing a lip.

"Present," Susan offers, because Lucy still has a foot in Narnia the way none of the rest of them do. Peter still holds the weight of his crown, certainly, and Edmund the load of his mistakes. Susan has the faded ink-stains of a hundred missives, orders, treaties, and promises she never got to send. (She wakes now, some nights, full of nerves for a formal audience the next morning, and remembers it is just a literature presentation. She feels relieved and useless).

But Lucy, Lucy walks in light. She dreams of dryads and when she closes her eyes she can hear them dancing in the wind on the upper boughs of the trees in the garden.

It is a stubborn faith, a steady one, harsh even. Lucy clings to things with two small hands that remember having calluses from reins, remember holding hands with dryads and dancing in the moonlight, remember running though a lion’s wild mane. Lucy grins (it is a defiance, not a grace, not a gift); she bares her teeth and goes dancing at midnight under trees that creak in a storm’s gale (she gets a cold and misses a week of school, for that). Lucy will believe until the end of the world, burning with that effortless faith. 

This is not effortless. “Such a happy child,” their mother says of Lucy, sighing relief, glancing uneasily at Edmund. Susan is not a happy child, but she is not meant to be. She is their stability, their quiet, the little, gentle mother, the nursemaid wise beyond her years. No one looks. They rely, and it makes Susan want to scream.

“Luce?” said Edmund. “Happy? I suppose. She’s more a fighter than any of us.”

Lucy gets up early in the mornings and goes outside to watch the sunrise while she eats her toast. Susan is jealous of her ease, for years; an early riser, a morning person, effortlessly romantic. There are days, when Susan is angry at schoolteachers, or missing her seneschal’s dry wit, days when Susan cannot find even the most glorious sunset to be anything more than just glaring light in her tired eyes. But Lucy, no, every day Lucy watches the sun rise and lets that fill her. Easy thinks Susan, jealous, and she is wrong. 

It is not for years that she realizes how much effort is tucked into Lucy’s bright smiles. The joy is not a lie, the faith is not contrived, but it is built. Lucy pulls herself out of bed each morning. She watches the fires of the day climb and conquer the sky, and dares her world to be anything less than magical.

Susan tired of bullies before she and her siblings had even finished with the White Witch’s defeat. She will stand it no more in this world than she had in Narnia. For the cruelest bullies: she digs up their weakness, their secrets, and holds them hostage. The misled, the hurting, she approaches sidelong, with all the grace of a wise ruler, a diplomat’s best subtle words against a foreign agitator with borders along an important trade route. The followers she sweeps past, gathers up, binds to her own loyalties. They may be allowed to become her fine guard if they deign to learn kindness, or at least respect.

Susan joins the newspaper because extracurriculars look good, and if she is going to live in this world she is going to do it well. She finds she likes it. She rubs ink into her palms and feels almost at home. She hunts down quaint little school stories overzealously, like the detectives in the novels stacked by her bed, like a queen hunting down secrets at her court.

(Lucy contributes poetry to the arts section of the paper. Susan only reads them on weeks she is feeling brave, because, like all of Lucy, her poetry picks you up and takes you away). 

When Susan wakes up, these nights, dreaming of ink on her fingers, she doesn’t expect to find her desk at Cair Paravel. Or, when she does, she squeezes her eyes open and looks around at the newspaper room on submission night. The copy editor fumes quietly, a writer hyperventilates in a corner, another clatters away. An editor coaxes into the telephone, talking with their printer, negotiating for time. It is not quite a council of war, but it is hers. It is not quite a kingdom, but Susan’s still a child, after all. She has time to grow into this skin.

When Caspian’s horn calls them home, the Pevensies stand in the ruin of their palace. Thick, old trees, not saplings, not young wildflowers, grow over the graves of the petitioners Susan had never gotten to meet with, of the children who had written her letters in careful, blocky handwriting. When I grow up I want to be as beautiful as you. 

Susan, standing in ankle deep grass on the cracked flagstones of the home she had spent most of her life in, has the gangly, growing limbs of an adolescent. A horn’s call (her horn) is ringing in her bones, centuries too late. That call has always been ringing in her, really, shaking her hands, reverberating her lungs, since the day a queen tumbled back through a wardrobe and into a life she hadn’t missed.

Susan stands under a mound, in the ruins of a castle, on a battlefield. Her Narnia has grown out of itself, grown into itself; her subjects are gone, but there is an army at her feet who trusts her. She left, but they did not lose faith. Susan does not feel absolved. She feels guiltier than ever, to know they kept faith she didn’t deserve. She wonders if this is how Aslan feels about Lucy.

The very shape of the land has changed. Mounds stand over old broken tables and rivers have become deep chasms. Her body is the body of a growing child, and her heart is that of a widow twice over.

When Susan leaves Narnia for the last time, she steps back into a world where she has ten articles to review by Monday, an essay due the next week, and a mathematics test on Friday. She has dishes to do and Lucy to keep an eye on. She wants to weep for days, but instead she goes home, plucks a detective novel off her bedside table, and tries to remember where she left off.

Susan doesn’t cry, but she hardly sleeps. That call is still humming in her bones (it always will, even when she learns to call it by other names). Susan snaps at her lioness, her dryad, her scribe; her bully boys flee at her short temper. One of her friends finally takes her aside. “What’s going on, Su? You can tell me.”

She forgot people could give you kindnesses back. “I lost something important,” Susan says, and the tears finally start to fall.

She weeps into her friend’s shoulder while she murmurs comforting things. “I’m right here.”

You are, Susan thinks. And so am I.

There is wind in the treetops. They are only trees.

Susan was the chosen, the blessed, the promised. She does not want to be promised. She wants to promise, instead, to take the hands of brave friends and try to build something new. 

The only thing that will compare to this grief will happen years later, a train crash, a phone call to her flat to tell the awful news to the next of kin. Now, losing Narnia, these four are the only ones here who will remember that world. There is a loss in that. There is a fragility in that which terrifies.

After the crash, Susan will be the only one left to remember them.

Maybe it was a shunning and maybe it was a mercy, to leave Susan to grow old. She had had too many kingdoms ripped from her aching fingers to be willing to lose this one, so instead everything else she had was taken away.

Maybe it was an apology. Maybe a lion could better understand mourning the loss of a kingdom than the loss of siblings. Maybe he thought he was being kind. 

As Susan grows, her schoolmates stay in touch, young girls who grew in her shadows or strode in blazing light before her (both are strengths), the ones who walked with her and learned majesty from her older bones. She gets letters from her bullies, too, the ones she subverted through threats or kindnesses. Some are fathers, railway operators, preachers, bookshop cashiers. Her girls are mothers, some, or running libraries, charities, businesses from behind the throne; one is a butcher’s apprentice of all things, another battling her way towards a Ph.D.

One married a farmer’s boy with a warm smile and moved out into the country. Susan goes out to visit and they go walking through her fields and little copses of trees. The trees are only trees, and some of Susan’s heart will always break for that, but she watches her friend’s glowing face as she marks out the edges of her land, speaks with her hands. The trees are only trees, but they are hers.

Susan goes home by train, the country whisking by outside. She pours over notes, sketching article outlines in her notebook, deadlines humming in the back of her mind. Her pen flicks over the paper, her fingers stained with ink. This is hers.

Years later, Susan digs up old copies of her school papers. She goes through them, one by one, and reads each of Lucy’s poems.

Cross-legged on the floor, she cries, ugly sobs torn out of her, offered out to ghosts of sisters and brothers, parents, Narnian children grown old and buried under ancient trees, without her. Lucy’s poems take her away (they always do) and leave her weeping on her living room floor in her stockings.

Susan stacks the papers neatly, makes herself a mug of tea and goes outside. The trees are only trees. This is a curse. This is a blessing. She breathes deep.

Peter was the only one who understood as well as she did what it was to be the rock of other people’s worlds. She remembers Edmund every time rage swells in her stomach, every time she swallows that rage down and listens anyway.

On early mornings Susan rolls out of bed, all groans and grumbles, and scribbles down a thought or two about her latest article if anything percolated during the night. She does her make-up on her apartment’s little balcony. Susan watches the rising sun light the sky and dares her life to be anything other than hers. 

Companion to this post. 

stardust-rain:

stardust-rain:

sometimes tumblr’s US-centric social justice makes me so fucking frustrated. Right now sweden’s third biggest party are literally neo-nazis and our elections couldn’t even get onto trending tags today, goddamit.

Okay, so the post is gaining notes and people are confused, so to explain what the hell is going on: 

image

Swedish elections held were on last Sunday, 14th September. We’ve had a right-leaning government the past eight years and after this there will be a change of power. The new party, Socialdemocrats (S) gained a total of 31% percent. The old party, Moderaterna (M) gained 21%. 

Sverigedemokraterna (SD) gained a total of 12.9%. Their policy is racist, Islamophobic, anti-immigration, anti-refugee, anti-diversity, anti-LGBT+, and anti-feminist. Basically, they tick every box on the douchebag lottery.

If you’re here to argue that they’re ~not actually~ Nazis: 1) Fuck you. 2) Fuck the horse the you rode in on. 3) I hope you get stepped on by a moose, you ignorant asswipe. 

  1.  they literally started as neo nazis. They have used a Neo-Nazi movement as campaign slogans,
  2. party members have assaulted immigrants with iron pipes (tw for racialised violence),
  3. worn Nazi symbols 
  4. supported and helped build Neo-Nazi group SvP.

There’s probably more, but I don’t have links on hand. 

They’ve been having rallies and demonstrations all over Sweden, and people have shown up just to turn their back on them and protest (this post explains it better). 

In the 2010 elections, SD were pretty much considered no better than neo-Nazis and only got 5.7% votes - it put them in 6th place and was just enough to get them into parliament. In the elections before that, they got about 2.9%. In the past four years, they’ve grown exponentially in Sweden.

They’ve also run extremely extensive PR campaigns, appealing to the youth, kicking out members “exposed” of being racist, (note: these members often end up in SvP) and picking up buzzwords from the Socialdemocrats’ ideology. 

29% of votes they gained this year were from swing voters who previously voted M,  and the biggest gain have been in the south, in small towns and the countryside:

image

This is not something that’s just going on in Sweden. Europe has seen an influx of extreme-right parties over the last decade or so, often thinly disguised as a party that puts ‘traditional values’ and ‘national interest’ first.

In Greece and Hungary they’ve already been in power. In Germany, Netherlands, Italy, Greece, Finland France and UK, extreme-right-wing parties have been voted into the EU. 

Because here’s the thing: we’ve forgotten what it looks like. We’ve gotten to the point where we’ve turned Nazism into a cartoonish lampoon of goose-stepping, uniforms and moral lessons that “we’ll never be like them~”, ignoring the fact nationalism is not as cut-and-dry two ends of an extreme but exists on a scale.

People have been apologising for SD’s actions for a while now because they’re not considered “extremist enough” to be neo-Nazis, because they don’t share the same beliefs, because they’ve “publicly denounced” SvP. 

But the same people still get hurt. Still SD has the institutional and systematic power and privilege to oppress, degrade and humiliate people of colour, which they already have done. Stop making excuses for them. Stop making leeways for right-wing-extremists because that is how they gain tract. 

Please spread this. 

surgery tomorrow

i’m so excited to feel like shit the next four weeks!!!!!

posted 1 day ago
fantasticallyficticious:livesandliesofwizards:


At twilight on August the 25th 1999, one week before classes were to begin, Hermione Granger Apparated into Hogsmeade, a wand box clutched under her arm.
Headmistress McGonagall was waiting for her outside the Three Broomsticks. The two women greeted each other warmly, and then set off towards the castle. Or rather, towards the grounds outside the castle.
They chatted amiably as they strolled towards the groundskeeper’s hut.  Hagrid, sitting outside and darning a pair of enormous socks, looked up as they approached.
“Good evenin’ Headmistress, Hermione,” he said with some gruff surprise.
“Good evening, Hagrid,” replied McGonagall. “May we go inside?  I believe Hermione has a proposition to discuss with you.”
If you had stood outside the hut as the evening darkened and the stars rose into the sky, you’d have heard the rumblings of an argument coming from inside the hut. You’d have heard Hagrid’s gruff refusals, Hermione’s calm (and then not so calm) rebuttals, and the very occasional interjection of the Headmistress.
Hermione did not emerge until the moon had fully risen and darkness enveloped the grounds. But in the light of the nearly full moon, you could see a smile on her face.
~
The Shrieking Shack was no longer widely believed to be haunted, now that the story of Remus Lupin was fully known.  Still, the residents of Hogsmeade and Hogwarts avoided it out of a mixture of respect and residual fear.
This suited Hermione perfectly. The interior of the Shack was now stacked with books and bottles of potion ingredients. A cauldron sat in the corner, a telescope pointed out a cracked window, and cushions lined one wall. A table was covered in parchment, broken quills, ink pots and stains. Once a week, Hermione would apparate into the Shack and go over her notes from the previous session while she awaited her student’s arrival.
Sometimes he was late without explanation. Sometimes he would bring a wounded bowtruckle he wasn’t comfortable leaving on its own.  Sometimes Fang would follow him and sit in the corner whining while his master sweated and cursed over a cauldron. Hermione was calm but firm, making adjustments as needed and letting Hagrid’s frustrated words roll off her back like water droplets. 
The Hogsmeade residents may have turned a blind eye to the goings-on in the Shrieking Shack, but that didn’t mean they weren’t relieved as time went on and there were fewer and fewer roars of anger echoing through the village.
~
The OWL testers had been warned in advance that they would have an unusual student that year. That didn’t mean they weren’t taken aback when Rubeus Hagrid appeared on their testing scrolls. They all knew of him of course, knew the role he played in the Second War and of the false accusations leveled against him.
They were worried they would have to be kind.
They needn’t have. No one could have Hermione Granger teach them personally for a year and not improve in all aspects. His potions may not have been textbook perfection, he may not have fully transfigured his toad, but Hagrid had clearly worked hard to master his long dormant abilities.
Rubeus Hagrid may not have followed the traditional path to wisdom.  But he had a new wand, the (sometimes grudging) respect of his peers, classes to teach and 6 OWLs.
Including the highest score ever recorded on Care of Magical Creatures.
(written and submitted by ppyajunebug; please excuse me, because I have something in my eye. Oh yes, it is my joyful tears. ppyajunebug has a way of bringing those out of me, you see. Their submissions tackle some of the saddest moments in canon, turning them around and making something beautiful out of them.)

THIS WAS SO STINKIN CUTE EVERYONE STOP WHAT YOU’RE DOING AND READ THIS

fantasticallyficticious:livesandliesofwizards:

At twilight on August the 25th 1999, one week before classes were to begin, Hermione Granger Apparated into Hogsmeade, a wand box clutched under her arm.

Headmistress McGonagall was waiting for her outside the Three Broomsticks. The two women greeted each other warmly, and then set off towards the castle. Or rather, towards the grounds outside the castle.

They chatted amiably as they strolled towards the groundskeeper’s hut.  Hagrid, sitting outside and darning a pair of enormous socks, looked up as they approached.

“Good evenin’ Headmistress, Hermione,” he said with some gruff surprise.

“Good evening, Hagrid,” replied McGonagall. “May we go inside?  I believe Hermione has a proposition to discuss with you.”

If you had stood outside the hut as the evening darkened and the stars rose into the sky, you’d have heard the rumblings of an argument coming from inside the hut. You’d have heard Hagrid’s gruff refusals, Hermione’s calm (and then not so calm) rebuttals, and the very occasional interjection of the Headmistress.

Hermione did not emerge until the moon had fully risen and darkness enveloped the grounds. But in the light of the nearly full moon, you could see a smile on her face.

~

The Shrieking Shack was no longer widely believed to be haunted, now that the story of Remus Lupin was fully known.  Still, the residents of Hogsmeade and Hogwarts avoided it out of a mixture of respect and residual fear.

This suited Hermione perfectly. The interior of the Shack was now stacked with books and bottles of potion ingredients. A cauldron sat in the corner, a telescope pointed out a cracked window, and cushions lined one wall. A table was covered in parchment, broken quills, ink pots and stains. Once a week, Hermione would apparate into the Shack and go over her notes from the previous session while she awaited her student’s arrival.

Sometimes he was late without explanation. Sometimes he would bring a wounded bowtruckle he wasn’t comfortable leaving on its own.  Sometimes Fang would follow him and sit in the corner whining while his master sweated and cursed over a cauldron. Hermione was calm but firm, making adjustments as needed and letting Hagrid’s frustrated words roll off her back like water droplets. 

The Hogsmeade residents may have turned a blind eye to the goings-on in the Shrieking Shack, but that didn’t mean they weren’t relieved as time went on and there were fewer and fewer roars of anger echoing through the village.

~

The OWL testers had been warned in advance that they would have an unusual student that year. That didn’t mean they weren’t taken aback when Rubeus Hagrid appeared on their testing scrolls. They all knew of him of course, knew the role he played in the Second War and of the false accusations leveled against him.

They were worried they would have to be kind.

They needn’t have. No one could have Hermione Granger teach them personally for a year and not improve in all aspects. His potions may not have been textbook perfection, he may not have fully transfigured his toad, but Hagrid had clearly worked hard to master his long dormant abilities.

Rubeus Hagrid may not have followed the traditional path to wisdom.  But he had a new wand, the (sometimes grudging) respect of his peers, classes to teach and 6 OWLs.

Including the highest score ever recorded on Care of Magical Creatures.

(written and submitted by ppyajunebug; please excuse me, because I have something in my eye. Oh yes, it is my joyful tears. ppyajunebug has a way of bringing those out of me, you see. Their submissions tackle some of the saddest moments in canon, turning them around and making something beautiful out of them.)

THIS WAS SO STINKIN CUTE EVERYONE STOP WHAT YOU’RE DOING AND READ THIS

mcfif:

[14] my friends are a different breeda mix for the best and the worst years

Shut Me Up Mindless Self indulgence / Hey Juliet LMNT / Moment of Truth FM Static / Waking Up in Vegas Katy Perry / Promise Eve 6 / Get It Up Mindless Self Indugence / Teenagers My Chemical Romance / Date Rape Sublime / 1985 Bowling For Soup / White Houses Vanessa Carlton / Used To Daughtry / Memory (Acoustic) Sugarcult / Vegas All Time Low / Landslide Stevie Nicks / Good Riddance Green Day

PLAY

mcfif:

[14] my friends are a different breed
a mix for the best and the worst years

Shut Me Up Mindless Self indulgence / Hey Juliet LMNT / Moment of Truth FM Static / Waking Up in Vegas Katy Perry / Promise Eve 6 / Get It Up Mindless Self Indugence / Teenagers My Chemical Romance / Date Rape Sublime / 1985 Bowling For Soup / White Houses Vanessa Carlton / Used To Daughtry / Memory (Acoustic) Sugarcult / Vegas All Time Low / Landslide Stevie Nicks / Good Riddance Green Day

PLAY

posted 2 days ago with 9 notes
via mcfif
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